March 2017, vol. 32, no. 6

Juilliard composition alum Reena Esmail talks about her work’s Historical Performance world premiere in the Journal.
Juilliard students share audition stories. Their tips? triple-check everything, perform your heart out, plan something fun afterward and more.
The ‘sonic glue’ that binds works by John Adams and Pierre Boulez in an upcoming AXIOM concert is Hans Abrahamsen's ‘Schnee.’
Reena Esmail
By
Danika Paskvan
Juilliard composition alum Reena Esmail talks about her work’s Historical Performance world premiere in the Journal.More
Laurence Cummings
By
Thomas May
In Handel's rarely heard 'Agrippina'—being performed by Juilliard Opera—the Devil gets the best tunes.More
school supplies
Juilliard students share audition stories. Their tips? triple-check everything, perform your heart out, plan something fun afterward and more.More
John Adams
By
Joshua Simka
The ‘sonic glue’ that binds works by John Adams and Pierre Boulez in an upcoming AXIOM concert is Hans Abrahamsen's ‘Schnee.’More
Medina Senghore and Orlando Pabotoy
By
Medina Senghore, Eric Harper, Justin Cunningham
Juilliard actors interview directors about the trickiness of race, memory, and whether miracles can exist. More
Robert Levin
By
Paul Thomason
Robert Levin on how—and why—he completed the Mozart Requiem.More
Ghosts of Versailles
By
Joshua Simka
Juilliard was well represented among 2017 Grammy winners.More