Vol. XXV No. 2
October 2009

Juilliard Welcomes 15 New Staff Members

Playwright Tanya Barfield joins the Drama Division as literary manager. Her works include Of Equal Measure, premiered by the Center Theater Group, and Blue Door, published by Dramatists Play Service and produced by Playwrights Horizons and numerous regional theaters. Tanya was a recipient of the 2003 Helen Merrill Award for Emerging Playwrights, a 2005 honorable mention for the Kesselring Prize for Drama, and a 2006 Lark Play Development/NYSCA (New York State Council on the Arts) grant. A two-time finalist for the Princess Grace Award, she has been commissioned by Playwrights Horizons, Center Theater Group, South Coast Repertory, Primary Stages, and Geva Theater Center. Tanya is a member of New Dramatists and serves on the membership committee at the Dramatist Guild.

Dr. William “Bill” Buse, newly appointed director of counseling services, has been working in the mental health field for the last 30 years and has been a counselor at Juilliard for 14 years. He is a licensed clinical social worker and has completed certificate training in psychoanalysis, psychotherapy, group analysis, and clinical hypnosis. He received a doctorate in anthropology from Columbia University. Before coming to Juilliard, Bill served as director of the Institute for the Performing Artist and has continued to specialize in the treatment of performing and fine artists for the last several years.

Regan deVictoria, archives assistant, is a native of Missoula, Mont., and moved to N.Y.C. recently to begin her career as a performing-arts archivist. She comes to Juilliard from Seattle, where she was the company manager at Intiman Theater for several years. Regan’s background and undergraduate training as a performing artist, designer, playwright, and arts administrator enriched her graduate work at the University of Washington’s Information School, where she received her M.L.I.S. degree in June.

William David Fastenow, technical director of music technology, is a media artist, producer, and entrepreneur. He has been technical director of Juilliard’s Beyond the Machine, an annual festival of electronic music, since 2007. His recent projects, which span several genres and disciplines, include playing MIDI air guitar in the AirBand; creating Lifelines: A Voiceless Multi-Media Opera; composing Efflorescence, commissioned by baritone saxophonist Shirantha Beddage and the North Bay Symphony Orchestra; and leading the William David Fastenow Jazz Orchestra. He owns and operates Park Boulevard Productions, and is director of audio and video productions for Electronic Music Foundation. He holds an M.M. from the Manhattan School of Music, where he studied with Michael Abene, Dave Liebman, and Ludmila Ulehla.

Sarah Kricheff joins the Publications Department as editor of The Juilliard Journal. Previously, she worked as features editor at the Forward newspaper and assistant editor at Re:D, the alumni magazine of Parsons the New School for Design. Her work has appeared in the New York Daily News, the healthy living Web site Lime.com, 11211 magazine, and other publications. She studied opera performance at SUNY-Purchase, where she received a bachelor’s degree in literature, and sings in the Jack Lords, a pop/rock band that performs at venues around New York City.

Rosemary Metcalf, administrative assistant for the Historical Performance program, earned a B.M. in music management from the Hartt School, University of Hartford, in May 2009. She completed internships with the National Symphony Orchestra at the Kennedy Center and the Hartford Symphony Orchestra, and was manager of the Connecticut Youth Symphony for two years. Rosemary is a flutist and enjoys cooking and contra dancing in her spare time.

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