Performance Calendar

Teaches

Music Advancement Program
Cello

About

Cellist Robert Burkhart is a sought-after performer across New York City’s diverse musical landscape. With performance credits at Alice Tully Hall, Bargemusic, Carnegie Weill Recital Hall, Merkin Hall, and The Rose Studio at Chamber Music Society of Lincoln Center, Robert has also appeared as a soloist throughout Japan as a member of the New York Symphonic Ensemble, and been featured in recital on WQXR’s “Young Artist Showcase.”

At the center of new music in New York, Robert has performed with the American Modern Ensemble, Argento New Music Project, counter)induction, DaCapo Chamber Players, Electric Earth Concerts, Newspeak, The Orchestra of the League of Composers, and SONYC. Recent composer collaborations include Uri Caine, Georg Friedrich Haas, Aaron Jay Kernis, Steve Mackey, Joan Tower, Charles Wourinen, and Chen Yi. He has performed the New York premiere of John Harbison’s Abu Ghraib for cello and piano, and was the soloist in Augusta Read Thomas’s Passion Prayers for cello and chamber ensemble at the New York Times Center.

Since his first orchestral appointment with the Louisiana Philharmonic in New Orleans, Robert has performed with the American Symphony Orchestra, Eastern Music Festival Orchestra, and as guest principal of the Stamford Symphony.

Robert’s major teachers include Paul Tobias at The Mannes College of Music and Uri Vardi at University of Wisconsin Madison, and he has worked with Timothy Eddy, Aldo Parisot, and Janos Starker at festivals and masterclasses. He has taught at the Eastern Music Festival, Juilliard Pre- college, Mannes Prep, Syracuse University, and Music Conservatory of Westchester, and been artist-in-residence at Yale University and the Banff Centre for the Arts in Canada. His recent CD “20/21: Music for Cello and Piano from the 20th and 21st Centuries,” features pianist Blair McMillen. Robert’s recording of solo Bach on the American Express commercial “Don’t Take Chances. Take Charge.” has garnered national attention.