When Joel Sachs proposed the idea of a new music ensemble to Juilliard’s
President Polisi in 1993, he felt that students urgently needed exposure
to new music and that such an ensemble could make a significant contribution
to New York. The new chamber orchestra called the New Juilliard
Ensemble, after a short-lived ensemble from the 1960s, also
describes its mission to perform a repertory for chamber orchestra that
is seldom heard -- for 13 to 20 players.
Now in its tenth season, The New Juilliard Ensemble
performs works from the contemporary musical literature, usually featuring
music that is no more than 10 years old. A large part of the repertory
has been composed for the New Juilliard Ensemble - as of last season,
44 compositions, perhaps 20% of the total programming. At the end of
this season, the Ensemble will have performed fifty-five world premieres,
seventy U.S. premieres, and twenty-eight New York premieres. These new
pieces, often generous gifts of composers delighted by the opportunity
to write for extraordinary young musicians, have come all over the world,
including, Argentina, Bolivia, Israel, the Philippines, Uzbekistan,
many European countries, and the United States.
Repertoire chosen for each New Juilliard Ensemble season is selected
in part for the challenges each work will bring to Juilliard students
as part of the experience of playing in the Ensemble, is for students
to develop the skills necessary to perform technically challenging new
music. In addition, the Ensemble offers opportunities for Juilliard
composers by performing new pieces each year by Juilliard composition
students who are selected through an annual blind audition. This season’s
Juilliard composers include Kati Agocs, Jonathan Keren, and Dinuk Wijeratne.
The members of the ensemble also have been able to work with exceptionally
interesting composers from around the world. Among the many composers
who have come to help at rehearsals have been Tony Prabowo (Indonesia),
John Psathas (New Zealand), Agustin Fernandez (Bolivia), Mark Kopytman
(Israel), Americans Steve Reich, Elliott Sharp, Robert Beaser, and John
Corigliano, among others.
Since the first years, the Ensemble's concert season has gradually
expanded to include touring. This season on November 28, a group of
eight will appear in the Festival Whynote in Dijon, France. This unusual
program, which was requested by the festival, features music by Japanese
composers who have lived extensively in the West, and American composers
who have been influenced by Japanese music and culture. The concert
will be previewed in Juilliard’s Paul Hall on Nov. 22 at 8 PM.
Works to be performed include Ushio Torikai’s Gathered, Scatter,
Karen Tanaka’s Invisible Curve (US premiere), Jackson
Hill’s Hikyoku (New York premiere), Toshio Hosokowa’s
Vertical Time Study I John Cage’s Aria, with
solos from Concert, Joji Yuasa’s Paul Chihara’s
Amatsu Kaze (preview of the world premiere), Toshi Ichiyanagi’s
Sapporo, and Suguro Goto’s Giseion to Gousei (Onomatopoeia
and Montage). Earlier tours have included a weeklong residency at the
Seminars for Young Composers near Warsaw, a weeklong residency at the
Moscow Conservatory, and a week at the Rubin Academy of Music in Jerusalem,
as part of an international conference on the teaching of composition
in the late 20th century. In 2001, a group performed in a festival marking
the opening of the Leipzig Hochschule's new auditorium, performing jointly
with Leipzig students. Last spring a larger ensemble performed at the
University of Maryland, near Washington, in conjunction with the opening
of its new performing arts center.
The Ensemble also has regularly given four performances in the Summergarden
festival and for the past two seasons, NJE was invited to be part of
the Lincoln Center Festival, for which it performed music by Salvatore
Sciarrino (2001) and Guo Wenjing (from Beijing) and Chinese-American
Bright Sheng (2002), each time in conjunction with operas by those composers.
There will be five New Juilliard Ensemble concerts at Juilliard this
season, on Sept. 21, November 22, Dec. 10, Jan. 24 (the opening concert
of Focus! 2003) and April 15.