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From Carols to Carnegie Hall With the Choral Union
by LANCE HORNE
Sometimes it seems hard to find the meaning in what we do. We
can spend years perfecting and months rehearsing, only to find that
our souls have been absent from the process.
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| Conductor Jahja Ling will lead the Juilliard
Orchestra and Choral Union in Mahler’s Second Symphony at Carnegie
Hall on December 10. (Photo by Peter Schaaf) |
How wonderful it has been, then, in times like these to find a
community in a stalwart and unexpected band of merry men and women
known as the Juilliard Choral Union. Every Wednesday, 160 Juilliard
students, faculty, staff, and community members registered through
the Evening Division gather together, under the leadership of its
director and conductor Judith Clurman, to learn, laugh, and work
their vocal chords off in hopes of connecting with the audience.
Be it for the congregation of Temple Sha’aray Tefila, the firemen
at Lincoln Center’s station, or the families attending the memorial
at ground zero, these singers have found their voices just in time.
This month, let the Juilliard Choral Union and Ms. Clurman take
you outdoors one week and indoors the next. On Monday, December
3, Lincoln Center’s annual Holiday Tree Lighting ceremony, which
begins at 5:30 p.m. in front of the fountain, features the Choral
Union performing a song by Stephen Paulus, carols arranged by Juilliard’s
own Brett Abigaña, and the world premiere of “We Are Lights” by
Academy Award-winning composer Stephen Schwartz, with a text by
David Letterman writer Stephen Young. (For those who wish
to stay indoors, the event will be aired live on ABC television.)
Directly following the tree lighting, join the chorus for a carol
sing-along with Academy Award-winner, Broadway star (and native
West Sider) Celeste Holm, as part of “Winter’s Eve at Lincoln Square.”
The following Monday, December 10, the Juilliard Orchestra and
Choral Union, under the baton of Jahja Ling, appear at Carnegie
Hall (the latter making its Carnegie debut) in a program featuring
Mahler’s Symphony No. 2, “Resurrection.” A profound masterpiece,
the symphony, whose themes of death and rebirth are vividly realized
in the climax of the final movement, has appeared from time to time
on programs marking historic occasions. Following Israel’s victory
in the 1967 Six Day War, Leonard Bernstein led the Israel Philharmonic
in a performance of the symphony atop Mt. Scopus, in a concert now
considered legendary. Mahler’s Second remains timeless in its ability
to connect with audiences and with the eternal. As New Yorkers still
reeling from the horrific events of September 11, members of the
Choral Union have found unexpected resonance in the power of this
work. Although the piece was not programmed specifically in response
to the attacks, we look forward to sharing its healing and life-affirming
message with you. (Paid tickets are sold out; however, a limited
number of free tickets for Juilliard students, faculty, and staff
are available beginning November 26. Check with the Juilliard box
office.)
Finally, lest readers think that Ms. Clurman has been idle this
season, be sure to check out her latest recording with the New York
Concert Singers: A Season’s Promise, available on New World
Records. Featuring works by Rorem, Bolcom, Paulus, Juilliard faculty
member Philip Lasser, and composition students Wayne Oquin and yours
truly, “A Season’s Promise” celebrates our world with new music
for the holidays. (This CD is available at the Juilliard Bookstore;
mention this article and you’ll get a 5 percent discount.)
For more on who we are and what we do, e-mail us at: choralunion@juilliard.edu.
Lance Horne will earn his master’s degree in composition from
Juilliard this spring.
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