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| (Drawing by Ruth Cairns) |
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We've been featuring articles from Juilliard periodicals in our Past Times column throughout the year, in honor of Juilliard's centennial—but the wide range of colorful and artistic covers provide an additional lens through which to view the School.
The April 1925 issue of The Baton gives a nod to April Fool's Day with a charming drawing by Ruth Cairns (Diploma '25, piano), while the January 1929 issue features a signed photograph of a pensive young Yehudi Menuhin, who studied with Wallingford Riegger and Dorothy Crowthers in the Institute of Musical Art's Special Theory course from November 1925 to January 1926.
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| (Photo by Milton Oleaga) |
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Dramatic photos are featured on the covers of the Juilliard News Bulletin, published by the Communications Office: the premiere of Anna Sokolow's Scenes From the Music of Charles Ives is big news in 1971-72, while the December 1968 issue brings us up close to a moment of a Barber of Seville rehearsal with Anita Terzian as Rosina and Alan Titus as Figaro.
A stylized rendering by Louis Lomonaco of two instrumentalists and a singer graces the 1964-65 Juilliard Review Annual, while an energetic drawing of a dancer by Stanley Appelbaum alerts readers to Norman Lloyd's article on "Composing for the Dance" in the Spring 1961 Juilliard Review.
Our thanks go to Juilliard's archivist, Jeni Dahmus, who gave generously of her time and expertise throughout the year to unearth and share these printed treasures with our readers.
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