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Shakespeare Times 2: A Double Dose of 'Dream'
By LISA ROBINSON
By turns mischievous, magical, tender, and eloquent, Shakespeare's irresistible comedy A Midsummer Night's Dream is a perennial favorite with audiences and theater professionals. Now, thanks to an unprecedented coincidence of programming, this month Juilliard’s Drama Division and the Juilliard Opera Center will each present Shakespeare's venerated work—as the original play and Benjamin Britten’s opera, respectively.
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Saidenberg Faculty Recital Goes Jazzy
By CHRISTOPHER MADSEN
The Juilliard Jazz Quintet, a faculty ensemble, breaks new ground this month with a concert on the annual Daniel Saidenberg faculty recital series—the very first time that a jazz group has been featured. It’s the most recent reminder of how far Juilliard has come as an institution in which the very mention of jazz studies used to raise eyebrows.
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A Day in the Life
October 11, 2005. In many ways, it was an ordinary day at Juilliard. Dancers warmed up at the barre. Actors worked on scenes. Musicians were coached in chamber music. Singers vocalized. But the decorations in the lobby sent a different message, as the festivities of Centennial Day got underway. This slide show captures the many activities and moods of the day.
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American Society and the Arts: A Commentary
By JOSEPH W. POLISI
It's not every day that a Supreme Court justice will speak on the artfulness of Abbott and Costello or that a renowned composer will evaluate the artistry of Britney Spears, but those, and many more profound topics, were addressed by historian David McCullough, Justice Antonin Scalia, soprano Renée Fleming, and composer Stephen Sondheim when they shared the Sharp Theater stage at a symposium in September called American Society and the Arts.
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Krosnick-Kalish Duo Returns to Beethoven
By PALA GARCIA
Nearly 30 years ago, cellist Joel Krosnick and pianist Gilbert Kalish performed the Beethoven Cello Sonata in A Major at a benefit concert for the Greenwood Music Camp in western Massachusetts. The duo has played a lot of music since that time, specializing in 20th-century works. But this month, in the first of two recitals, they return to Beethoven, offering his complete music for cello and piano.
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