April 2017, vol. 32, no. 7

Wynton Marsalis on maintaining the orchestral tradition and leading the Juilliard Jazz Orchestra in his own compositions.
April kicks off with Juilliard Orchestra and N.J.E. concerts of work by student composers, who shared some thoughts about their pieces.
Juilliard Opera's production of Katya Kabanova honors the tension between the folkloric and the modern, according to director Stephen Wadsworth.
Juilliard Open Classroom student
New online courses will allow more students to take advantage of Juilliard's expertise.More
violinists
By
Victoria Murray Brand
Scholarship Support
In 2016-17, Juilliard welcomed 15 new permanently endowed funds that provide robust scholarship resources for generations of our students.More
Nina and Daniel Carasso
By
Edward Sien
Scholarship Support
The story behind one of the 15 new permanently endowed scholarship funds that Juilliard welcomed this year.More
Wynton Marsalis
By
Loren Schoenberg
Wynton Marsalis on maintaining the orchestral tradition and leading the Juilliard Jazz Orchestra in his own compositions.More
score fragment from Chandler's Songs From Brooches
April kicks off with Juilliard Orchestra and N.J.E. concerts of work by student composers, who shared some thoughts about their pieces. More
Katya Kabanova set
By
Joshua Simka
Juilliard Opera's production of Katya Kabanova honors the tension between the folkloric and the modern, according to director Stephen Wadsworth.More
Juilliard and Royal Academy musicians
By
Joanna K. Trebelhorn
Juilliard-RAM’s intensive brass collaboration involved over 20 pieces of music, 30 hours of rehearsal, a performance, and 24 hours of recording,More
Odilon Redon (1840-1916), Centaure lisant
By
Greta Berman
Symbolist art at the Morgan Library\More