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NEWS

Focus 2020 Presents Trailblazers: Pioneering Women Composers of the 20th Century, Jan. 24, Through Jan. 31

Juilliard announces the 36th annual Focus festival, Trailblazers: Pioneering Women Composers of the 20th Century, co-curated by composer and conductor Odaline de la Martinez, and Focus director and conductor Joel Sachs, taking place from Friday, January 24, through Friday, January 31, 2020

NEWS

Juilliard Percussion Ensemble, Led by Daniel Druckman, Performs Cage and Xenakis on Feb. 3

The Juilliard Percussion Ensemble, led by director Daniel Druckman, will perform John Cage’s Second Construction, First Construction (In Metal), and Third Construction as well as Xenakis’ Pléïades on Monday, February 3, 2020, at 7:30pm in the Peter Jay Sharp Theater. 

NEWS

Virgil Thomson’s "The Mother of Us All," Presented in Collaboration With The Metropolitan Museum of Art and the New York Philharmonic and Featuring Juilliard Singers

Juilliard, in collaboration with The Metropolitan Museum of Art’s MetLiveArts performance series and the New York Philharmonic, co-presents Virgil Thomson’s The Mother of Us All on February 8, 11, 12, and 14, 2020, at 7pm at The Metropolitan Museum of Art in the American Wing’s Charles Engelhard Court. 

Juilliard News

Thursday, December 5, 2019

Drama Takes on Suzan-Lori Parks Plays

Juilliard Journal

A chance comment in a canoe sparked playwright Suzan-Lori Parks' award-winning two-play riff on "The Scarlet Letter," recently performed at Juilliard

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  • Tuesday, November 19, 2019

    New Dances 2019 | Establishing Community

    Juilliard Journal

    Noah Wang on the four premieres that make up New Dances, and the bittersweet experience of taking part in this concert for the last time

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  • Thursday, October 24, 2019

    Jazz Opera in the Courthouse

    Juilliard Journal

    Jazz faculty member Ted Rosenthal experienced true citizen artistry when part of his opera was presented at a naturalization ceremony

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  • Wednesday, October 23, 2019

    ChoreoComp Takes Flight

    Juilliard Journal

    Before ChoreoComp, Kaine had set ideas, but once it started, “it’s like, ‘forget everything—we’re just gonna start from scratch.’ And that’s the best thing about this class”

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