Performance Calendar




Kate has dialect and voice coached the Broadway productions of Camelot, Topdog/Underdog, The Piano Lesson, Leopoldstadt, Take Me Out, The Old Man and the Pool, for colored girls who have considered suicide/when the rainbow is enuf, Funny Girl, Birthday Candles, The Music Man, Skeleton Crew, MJ, The Lehman Trilogy, Trouble in Mind, To Kill a Mockingbird, Lackawanna Blues, West Side Story, A Soldier’s Play, The Inheritance, Moulin Rouge!, All My Sons, Beetlejuice, Tootsie, Gary, Burn This, True West, American Son, The Waverly Gallery, The Cher Show, Children of a Lesser God, The Iceman Cometh, Carousel, Lobby Hero, The Parisian Woman, 1984, Hello Dolly, Amelie, Charlie and the Chocolate Factory, The Glass Menagerie, Sweat, The Front Page, Les Liaisons Dangereuses, The Cherry Orchard, Fully Committed, The Crucible, Bright Star, Hughie, A View from the Bridge, Thérèse Raquin, Old Times, An American in Paris, Skylight, Fish in the Dark, The Audience, The Real Thing, The Elephant Man, You Can’t Take It with You, Holler If Ya Hear Me, Rocky, Violet, A Raisin in the Sun, Machinal, Big Fish, The Trip to Bountiful, Picnic, The Heiress, The Mystery of Edwin Drood, End of the Rainbow, Gore Vidal’s The Best Man, Cyrano de Bergerac, War Horse, Stick Fly, The Mountaintop, Master Class, The People in the Picture, The Merchant of Venice, Driving Miss Daisy, The Pitman Painters, Red, Mary Stuart, The American Plan, American Buffalo, Sunday in the Park With George, The Seafarer, Talk Radio, Curtains, Gem of the Ocean, Glass Menagerie, Fiddler on the Roof, Nine, Oklahoma, The Graduate, The Man Who Had All the Luck, Major Barbara, The Adventures of Tom Sawyer, Betrayal, The Rainmaker, Impossible Marriage, and Misalliance.

Kate has coached off-Broadway productions of The Sign in Sidney Brustein’s Window, Straight Line Crazy, Sandra, Only Gold, The Bedwetter, Medea, Judgment Day, The Half-Life of Marie Curie, A Play is a Poem, Much Ado About Nothing, The Curst of the Starving Class, The Mother, Superhero, Admissions, The Hairy Ape, The Way We Get By, The Mystery of Love and Sex, A Particle of Dread, The Village Bike, Love and Information, The Happiest Song Plays Last, The Call, The Lying Lesson, Talley’s Folly, Cock, Giant, Hurt Village, How I Learned to Drive, The Whipping Man, The Misanthrope, Entertaining Mr. Sloane, Richard III, Othello, Burn This, Far Away, and The Glory of Living. For the New York Shakespeare Festival she has coached productions of The Merchant of Venice, Much Ado About Nothing, Henry V, Twelfth Night, and The Seagull.

Kate’s regional coaching credits include Williamstown Theater, Chautauqua, Shakespeare Theater, Center Stage, Acting Company, Huntington Theatre, Old Globe Theatre, Seattle Rep, McCarter Theater, and Mark Taper Forum.

Her film and television credits include Fingernails, Severance, Women Talking, The Grand Master: Franklin in Paris, Three Women, Tokyo Vice, The Wall, The Last Voyage of the Demeter, The Tragedy of Macbeth, Red White and Water, Staten Island, Outer Range, Dopesick, The First Lady, Mrs. America, Will You Ever Forgive Me?, Lady Bird, Three Billboards Outside Ebbing, Missouri, The Most Violent Year, Annie, The Leftovers, Olive Kitteridge, Carol, Inside Llewyn Davis, Salt, Rubicon, Notorious, Pride and Glory, and Fur.

Kate was raised in Syracuse, NY. She holds degrees from the University of Massachusetts, Amherst (BA) and Lesley College (MA). She lives in New York City with her husband and two daughters. She has been on faculty since 1999.