Office of the
President

Share on:

Community Messages

September 4, 2018 | Convocation

What we are doing here today, I am realizing, is resembling a workshop as much as an event. And I think that is telling us something important as we mark the beginning of our school year. The Latin roots of the word “convocation” mean “to call us together” and so we are called, on this day and in this place, to start a new year and to begin the work, but actually to “re-begin.” To re-begin as we will all continue to do for the rest of the year, and indeed the rest of our lives. We are in fact always re-beginning, always building, always workshopping, the project is always ongoing, and what we have seen today has underscored those iterative qualities of artistic practice.

I have been reflecting on this extraordinary institution’s own practice. In many ways, this year will be marked with the rhythm of all the years before it: in performance halls and practice rooms, on stages and in small-group settings, we will aspire to perform at the highest caliber. We will harness our energy and our discipline—in honing our skills. Read more

July 1, 2018 | First Day in Office

Today, I have the great privilege of becoming Juilliard’s president, and I am so honored to join with you in creating the next chapter of this extraordinary institution. 
 
Over the past year, I have spent my time preparing for this day by listening and learning. The faculty, students, staff, and alumni I have had the opportunity to speak with have graced me with their passionate commitment to Juilliard and its history, and with their ideas and aspirations for our school’s future. I am profoundly grateful to President Polisi, whose influence and example have been a guiding star for me; first in creating the road map for the life of artist as citizen, and now in this moment as we go forward into a new era at Juilliard. I am so appreciative of the guidance Joseph has given me, and I will continue to rely on him as he today becomes president emeritus and chief China officer, leading our efforts in Tianjin to the successful launch of Juilliard’s new global campus. All of us at Juilliard owe President Polisi a true debt of gratitude for his visionary leadership over the past 34 years. Read more

Convocation highlights

Juilliard Convocation 2018

Damian Woetzel

On July 1, 2018, Damian Woetzel became the seventh president of The Juilliard School. Woetzel has taken on multiple roles in arts leadership since retiring in 2008 from a 20-year career as a principal dancer with New York City Ballet and as a dancer on the international stage. During his distinguished dance career, he was lauded for performances in a range of roles created by George Balanchine and Jerome Robbins, and he had works choreographed for him by Robbins, Eliot Feld, Susan Stroman, Twyla Tharp, and Christopher Wheeldon among others.

From 2011 until this year, Woetzel was the director of the Aspen Institute Arts Program, which aims to further the value of the arts in society; he is also the artistic director of the Vail Dance Festival, which annually brings together a wide range of dancers and musicians and focuses on fostering new collaborations and commissions. An independent director, choreographer, and producer, Woetzel’s recent projects include DEMO, an interdisciplinary series at the Kennedy Center; Spaces by Wynton Marsalis (’81, trumpet; artistic director of Juilliard Jazz) for Jazz at Lincoln Center; Lil Buck @ Le Poisson Rouge, featuring Lil Buck, Yo-Yo Ma (Pre-College ’71; Professional Studies ’72, cello), and an array of other stellar musicians; televised Kennedy Center Honors tributes to Natalia Makarova (2012), Patricia McBride (2014), and Carmen de Lavallade (2017); an arts salute to Stephen Hawking for the World Science Festival; two Turnaround Arts performances at the White House; and the first performance of the White House Dance Series, which was hosted by Michelle Obama.

Woetzel has collaborated on numerous initiatives with Yo-Yo Ma, including the Silk Road Connect program in the New York City public schools and Arts Strike, a pioneering format for artists to engage in public service. In 2009, Woetzel became the founding director of the Jerome Robbins Foundation’s New Essential Works (NEW) Program, a five-year program that initiated grants to enable the production of 35 new dance works. In 2009, President Obama appointed Woetzel to the President’s Committee on the Arts and Humanities; he served until 2017 and worked on creating the Turnaround Arts Program, which brings arts education to challenged school districts across the country.

Woetzel holds a Master in Public Administration degree from Harvard’s Kennedy School of Government and has been a visiting lecturer at Harvard Law School. He received the Harvard Arts Medal in 2015, and in spring of 2018 was announced as a new member of the American Academy of Arts and Sciences.

Read the press release naming Damian Woetzel as Juilliard's seventh president

Find Your Application Requirements

Let us help find your exact application and audition requirements. Our Applications Requirements Wizard will tell you everything you need to know about applying to Juilliard.

Juilliard News

Tuesday, August 28, 2018

Time Capsule From the Juilliard Archives

Juilliard Journal
Alumni Story

In 1963, the Juilliard Student Council presented Bernstein's 'On the Town'

Read More
  • Tuesday, August 21, 2018

    Kindred Spirits: Bernstein and Shostakovich

    Juilliard Journal

    Juilliard celebrates Bernstein’s centennial Sept. 29 at Carnegie Hall, with alum Marin Alsop conducting his works plus Shostakovich 5

    Read More
  • Thursday, August 16, 2018

    HP: Performing 'Elijah' in Leipzig

    Juilliard Journal

    In a truly international collaboration, Juilliard415 and the Bach Collegium Japan performed Mendelssohn’s ‘Elijah’ in Leipzig’s Gewandhaus

    Read More
  • Thursday, August 9, 2018

    Advice for Incoming Students: Max Tan

    Juilliard Journal

    Max Tan: Some favorite Juilliard memories have been chats about how artists can shape the world and how perception influences our art and lives

    Read More